Dieses Mal setzen sich Cartman, Kenny, Stan und Kyle mit Opiaten und Hummelfiguren auseinander, experimentieren mit Moos-Ferkeln, machen sich die Schattenseiten von Social Media zunutze und erklären Kanada schließlich den Krieg! Nimmt man noch die Mini-Kommentare der South Park-Macher hinzu, ist es nahezu unmöglich, dieses famose Disc-Set wieder aus der Hand zu legen. Episodenübersicht- Weiße renovieren Häuser- Lass es weg- Feiertagsspezial- Franchise Prequel- Hummelfiguren & Heroin- Hexensöhne- Jahrestag- Moos-Ferkel- Total PC- Zermatschte TomateBonusmaterial:- Mini-Kommmentare zu allen Episoden von den Machern von South Park, Trey Parker und Matt Stone

In the second volume of The Best Digital Marketing Campaigns in the World, best-selling author Damian Ryan presents an international showcase of the most successful digital marketing campaigns in recent history, analysing what they did right and their impact. This privileged insight into some of the freshest, most creative thinking in the industry covers 40 new campaigns from 40 different agencies/brands around the world, 16 in the UK, 5 in the US/Canada, and the rest from Europe, Australia, the Middle East and North Africa, South Africa and South America. Full of behind-the-scenes insights into campaign strategy, implementation and results, The Best Digital Marketing Campaigns in the World II explores how businesses and agencies, large and small, have harnessed social media, blogs, video, email, mobile and search to boost their brand and attract customers. Covering a wide range of world-class, award-winning campaigns from brands such as Activia, Red Bull, Heinz, Harley Davidson, O2, Peugeot, Nike, Samsung, and UEFA, and agencies including Tribal DDB, Scholz and Volkmer, Red Bee, Bell Pottinger Wired, We Are Social and Symbio Digital, this is an inspirational must-read for everyone working in marketing and advertising.

'South Asian Media Cultures' is a collection of essays that pulls together field-based audience and textual research in areas such as the politics of new media, contemporary television and film in India, Bangladesh, Pakistan, Sri Lanka, Nepal and their audiences. Through a careful analysis of the various media cultures and practices from across South Asia, this collection addresses pertinent issues such as how discourses on gender, nationalism, ethnicity and class are being expressed by mainstream media texts across South Asia, and how different groups within the public discern meanings from such discourses. With this collection, Banaji aims to reduce the reliance on commercial Hindi cinema ('Bollywood') for reference on the politics and history of South Asian Media. Instead, key current research and theoretical debate are presented in an accessible manner. They are organised around three clear themes: 'Audiences, meanings and social contexts', which focuses on the responses of particular social groups to specific media formats, ideas or genres; 'Media Discourse, Identity and Politics', which discusses the complex links between media representations and socio-political identities; and 'Alternative Producers: New Media, Politics and Civic Participation', which describes and assesses the various civic practices and possibilities opened up in South Asia by digital and mobile communications.

This interdisciplinary series addresses the relation between media and cultural memory. Its publications study how media construct, store, and disseminate memory. The series' focus is on different media and technologies, such as text and image, the cinema and the new digital media, on transmediality, intermediality, and remediation, as well as on the social (and increasingly transnational and transcultural) contexts of mediated memory. The aim of the series is to provide a vibrant international platform for research and scholarly exchange in the field of media and memory studies. Manuscripts submitted to the series are peer reviewed by expert referees. The editors, Astrid Erll (Goethe-Universität Frankfurt am Main) and Ansgar Nünning (Justus-Liebig-Universität Gießen), are working with an international editorial board of renowned scholars: Aleida Assmann (Universität Konstanz), Mieke Bal (University of Amsterdam), Vita Fortunati (University of Bologna), Richard Grusin (University of Wisconsin-Milwaukee), Udo Hebel (Universität Regensburg), Andrew Hoskins (University of Glasgow), Wulf Kansteiner (Binghamton University), Alison Landsberg (George Mason University), Claus Leggewie (Kulturwissenschaftliches Institut Essen), Jeffrey Olick (University of Virginia), Susannah Radstone (University of South Australia), Ann Rigney (Utrecht University), Michael Rothberg (University of Illinois), Werner Sollors (Harvard University), Frederic Tygstrup (University of Copenhagen), Harald Welzer (Kulturwissenschaftliches Institut Essen) To learn more about the series, also visit us at the MSA conference in Madrid, June 25 – 28, 2019.

This interdisciplinary series addresses the relation between media and cultural memory. Its publications study how media construct, store, and disseminate memory. The series' focus is on different media and technologies, such as text and image, the cinema and the new digital media, on transmediality, intermediality, and remediation, as well as on the social (and increasingly transnational and transcultural) contexts of mediated memory. The aim of the series is to provide a vibrant international platform for research and scholarly exchange in the field of media and memory studies. Manuscripts submitted to the series are peer reviewed by expert referees. The editors, Astrid Erll (Goethe-Universität Frankfurt am Main) and Ansgar Nünning (Justus-Liebig-Universität Giessen), are working with an international editorial board of renowned scholars: Aleida Assmann (Universität Konstanz), Mieke Bal (University of Amsterdam), Vita Fortunati (University of Bologna), Richard Grusin (University of Wisconsin-Milwaukee), Udo Hebel (Universität Regensburg), Andrew Hoskins (University of Glasgow), Wulf Kansteiner (Binghamton University), Alison Landsberg (George Mason University), Claus Leggewie (Kulturwissenschaftliches Institut Essen), Jeffrey Olick (University of Virginia), Susannah Radstone (University of South Australia), Ann Rigney (Utrecht University), Michael Rothberg (University of Illinois), Werner Sollors (Harvard University), Frederic Tygstrup (University of Copenhagen), Harald Welzer (Kulturwissenschaftliches Institut Essen) To learn more about the series, also visit us at the MSA conference in Madrid, June 25 – 28, 2019.

Dieser Titel aus der Reihe 'Abiwissen' behandelt alle Prüfungsbereiche der englischen Landeskunde (GB und USA): politics, economy, education, social structure and welfare, mass media, religion, international relations, the English speaking world (Australia, South Africa, The Caribbean, India). In jedem Band der Reihe 'Abiwissen' werden die Inhalte eines Prüfungsthemas prägnant und verständlich aufbereitet. Ein Extrateil vermittelt außerdem themenübergreifendes Wissen in Übersichten und Tabellen oder erläutert Fachvokabular. Ideal zur intensiven Wiederholung des Prüfungsstoffes vor dem schriftlichen und mündlichen Abitur sowie zur Vorbereitung auf Referate in der Oberstufe.

The two-part symposium on Techno-Ethics: Humanities and Technology was organised by the Asiaticum – Society for the Promotion of Studies East and West (Gesellschaft zur Förderung west-östlicher Forschungen e.V.) in collaboration with the Vietnam National University, University of Social Sciences and Humanities, Hanoi, and the Institute of Indology, Johannes Gutenberg University, Mainz (Germany) on September 2, 2012, in Mainz, and on March 28–29, 2013, in Hanoi. Both congresses were the fourth and fifth, respectively, in a series of symposia and workshops in memoriam of the Japanese entrepreneur Momoyo Okura, a committed sponsor of cultural events in humanities, who died in 2008. The papers of this international, intercultural and interdisciplinary symposium on Techno-Ethics were presented by scholars from Japan, Vietnam, India, and Germany. They combine disciplines as different as Japanology, Vietnamese Studies, Indology, Indian Anthropology, History of Religions, Buddhology, Sociology of Vietnam and India, Film Studies, Modern South Asian and Mauritian Literature, Sinhalese Studies, South East Asian Arts, Management and Media Studies.

This book is an original study on the development of media technologies, communications and social networks in South Africa. It is for those researching the growth of communication technology and new media in Africa, as well as those more widely involved in development studies and economics.

The two-part symposium on Techno-Ethics: Humanities and Technology was organised by the Asiaticum – Society for the Promotion of Studies East and West (Gesellschaft zur Förderung west-östlicher Forschungen e.V.) in collaboration with the Vietnam National University, University of Social Sciences and Humanities, Hanoi, and the Institute of Indology, Johannes Gutenberg University, Mainz (Germany) on September 2, 2012, in Mainz, and on March 28–29, 2013, in Hanoi. Both congresses were the fourth and fifth, respectively, in a series of symposia and workshops in memoriam of the Japanese entrepreneur Momoyo Okura, a committed sponsor of cultural events in humanities, who died in 2008. The papers of this international, intercultural and interdisciplinary symposium on Techno-Ethics were presented by scholars from Japan, Vietnam, India, and Germany. They combine disciplines as different as Japanology, Vietnamese Studies, Indology, Indian Anthropology, History of Religions, Buddhology, Sociology of Vietnam and India, Film Studies, Modern South Asian and Mauritian Literature, Sinhalese Studies, South East Asian Arts, Management and Media Studies.